Cheung Tsz Hin, Title in progress, 2025 (200 x 400 cm);

Cheung’s paintings occupy a space between personal memory and public history, often transforming moments of quiet reflection into images charged with the emotional and social climate of his home city, Hong Kong.

 His work suggests that private life and collective experience are never truly separate—political tension quietly infiltrates intimate moments, and inner stillness carries the echo of civic unrest.

 Though Cheung avoids literal documentary, his canvases are deeply rooted in the evolving political atmosphere and the resilience of his generation.

The exhibition opens on December 5 and remains on view through January 29. Visitors are invited to celebrate the opening on Friday, December 5, from 18:00 to 21:00.

Xi'an Kim, Object 345, 2024 (117 x 91 cm); Installation view of the exhibition RIVER;

Newchild is also pleased to present Unmade, a group exhibition featuring Romina Bassu, Dustin Emory, Xi’an Kim, Brittney Leeanne Williams, and others.

In Unmade, the domestic environment becomes a subtle battleground—where comfort shifts into anxiety and familiar spaces begin to feel strangely animated. 

The show brings together artists who challenge the serenity of home life, revealing how tenderness, privacy, and control can quietly unravel. 

Soft textures conceal tension; behind ordinary walls lie simmering emotional landscapes.

The exhibition runs from February 6, 2026 to March 19, with an opening reception on Friday, February 6, from 18:00 to 21:00.

Andrew Sendor, The image replayed in Lamond’s mind—not only the defiance of physics, but the flicker in Atlassa’s eyes, sharp and strange, as if a hidden part of her had switched on, 2025 (52.5 x 42 cm framed). 

RIVER marks Andrew Sendor’s first solo European presentation in over ten years, currently on view through November 28.

In RIVER, Sendor extends his investigations into narrative-driven painting. His process begins with fictional texts—stories he authors himself—that blur the line between fact and invention. 

From these narratives emerge hyper-detailed, nearly digital-looking images that question the nature of perception and authorship in an age of technological mediation. His imagery sits at the edge of the real and the imagined, proposing that vision itself is a narrative act.

A central thread of the exhibition revolves around The Off Liners, an unfinished novel written by Sendor’s invented character, River Wright.

A finissage will take place on Friday, November 28, from 18:00 to 20:00.