Greem Kim
Peeking into the Nest, 2026
Oil on canvas, 145.5 x 112.1cm
Sun Gallery proudly inaugurates its 2026 season with ' The Prospective 2026: Recall of the Sense' , on view from March 4 to April 4.
Featuring the works of Greem Kim, Yeonhong Kim, Siwol Park, Yumi Chung, Eunjung Choi, and Wonhae Hwang, the exhibition examines art's enduring power to evoke visceral human experience in an era defined by digital fragmentation.
As our visual lives are increasingly funneled through screens—rendering sight both hyper-stimulated and profoundly detached—this exhibition seeks to reawaken dulled perceptions.
By intertwining touch, gaze, memory, and imagination, Recall of the Senses invites viewers to rediscover the sensory depth of the contemporary world.
Inner Narratives from Nature and Metaphors of Life
Yumi ChungWhere There Is a Will, There Is a Way, 2025
acrylic on canvas, 120×162cm
Greem Kim and Yumi Jung explore the human psyche through the metaphorical language of the natural world.
Greem Kim observes the biological cycles of living organisms, translating them into organic landscapes that map the intricate connections between individual existence and the broader social fabric.
Parallelly, Yumi Jung reconstructs nature into poetic, symbolic imagery that captures the emotional resonance between one’s internal state and their environment.
From this shared botanical point of departure, both artists transform the landscape into a contemplative space for emotional awakening.
Yeonhong Kim and Siwol Park delve into the "emotional textures" formed by the accumulation of time and memory.
Yeonhong Kim
Paper Street Convergence, 2025
Acrylic on canvas, 227x162.1cm
Yeonhong Kim recombines collected fragments and personal archives to create psychological landscapes where reality and unreality intersect on the canvas.
Similarly, Siwol Park examines latent emotions through layered colors and blurred, overlapping imagery, constructing dreamlike vistas where memory and imagination meet.
Rather than focusing on the immediate moment of experience, both artists concentrate on the lingering traces of feeling, inviting viewers to revisit the sensory echoes of their own pasts.
Eunjeong Choi
Banksia of the valley no.2, 2025
Oil on canvas, 180 × 150cm
Urban Cycles: Humanity and the Vitality of Change
Eunjung Choi and Wonhae Hwang investigate the traces of life that emerge through the constant deconstruction and reconstruction of the modern city.
Wonhae Hwang captures the visual dissonance of urban structures, revealing the fleeting cross-sections of landscapes in a state of perpetual flux.
In contrast, Eunjung Choi finds the possibility of recovery and regeneration, depicting flowers that bloom amidst collapsed or abandoned environments.
Together, their works reflect on the resilient cycles of vitality that persist through urban transformation and the uncertainties of contemporary life.
Wonhae Hwang
Drift, 2025
Acrylic, paper, screen tone collage on paper, 105x79cm
