Christopher Page is a painter of light, shadow, and reflection whose work explores the blurred boundaries between real and virtual space. 

Known for his illusory depictions of framed paintings, mirrors, and windows, Page creates trompe l’oeil-style compositions on canvas as well as directly on architectural surfaces—walls, ceilings, and installations—that destabilize the viewer’s perception of space. 

Though his works masquerade as glass, joinery, light, or shadow, they are not trompe l’oeil in the traditional sense. Relying on hard-edged color fields and optical precision, Page’s paintings hover between Baroque illusion and Modernist abstraction. 

Recurring motifs—blank mirrors that reflect nothing, painted frames that contain only light or sky—raise questions about absence, perception, and where a painting begins or ends. Page's work is currently on view as part of Spectre, a group exhibition at the gallery, featuring works by fellow artists Liang Fu, Adriaan Marin, Viktor Mattsson, Sergio Miguel, and Justin Liam O’Brien. 

Christopher Page (b. 1984 in the UK) holds an MFA in Painting from Yale School of Art and a BA in painting from Central St Martins, London. 

He is the Co-Founder and an Editor of Effects, a journal of art, poetry and essays. 

Page’s works have been exhibited at Museum of Contemporary Art, Los Angeles (2018); and the Blind Gallery at Museu de Arte Moderna, Rio de Janeiro (2017, solo).

 Recent exhibitions include Art Brussels, Newchild Gallery, Brussels (2023); Wonder and Wakefulness: The Nature of Pliny the Elder, Herbert F. Johnson Museum of Art, Ithaca (2023); Shadows & Reflections, Ben Hunter, London (2022, solo); Fading Light in the Picture Gallery, Dirimart, Istanbul (2022, solo); Knots (with Clementine Keith Roach), PPOW, New York; Fire Sermon, Public Gallery, London (2022); UK Mimicries, Ben Hunter, London (2022); and Art Basel Miami Beach, P.P.O.W., Miami (2021). His work is part of the collection of Museu de Arte Moderna, Rio de Janeiro. He lives and works in Dorset, UK. 

Portrait of Christopher Page by Katherine Needles; Christopher Page, The Dying Light, 2025 (80 x 65 cm); Installation view of Christopher Page, The Dying Light, 2025 (80 x 65 cm); Christopher Page, Interior, Waning Light, 2025 (75 x 75 cm); Installation view of Christopher Page, The Step Not Beyond, 2025 (80 x 65 cm); Christopher Page, Pale Fire, 2025 (80 x 80 cm). Photography courtesy of Newchild Gallery, Christopher Page, and Katherine Needles. Newchild © 2025